Me and Jesus the Pimp In a '79 Granada Last Night - The Coup

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Embed: What I replied denied, but he mixin weed and hop
His head was noddin' up and down like he agreed a lot
Bored, said, "We need a plot," I comply, "Let's leave the spot"
Hopped in the Granada, he's impressed by the beat I got
His name is "hay-zoos" but his pimp name is "gee-zus"
Slapped a hoe to pieces with his plastic prosthesis
"Nigga don't you know that I'm your daddy?" said he
This is true, plus he schooled me for my mackin' degree
"Never plea, try not to flee, make niggaz pee when you stick around"
This man my momma had found taught me to put it down
I press the gas to the ground to show that I'm a hound
Makin' sho' that get rubber sound is heard throughout the town
Thirty years ago, Jesus could pull a hoe quick
But now he 50 and his belly hangs lower than his dick
Philosophy that he spit stuck in my memory chips
And now he puttin' in a disk of Gladys Knight and the Pips
Then that shit starts to skip, he said, "Somebody musta scratch it"
Put the 40 to his lips and poured the contents down the hatchet
Well since my adolescence, cause of his pimp lessons
smack my woman in the dental just for askin' silly questions
Relationship reduction to either rock the box or suction
Ain't got no close partners, socially I can't function
From the pen he would scribe, on how to survive:
"Don't be Microsoft, be Macintosh with a Hard Drive"
Used to tell me all the time to keep a bitch broke
Did I mention that my momma was his number one hoe?
Clunked the 40 on the flo' and placed his palm on the dash
and wheezed out, "C'mon man, make this motherfucker mash!"
Ain't gon' mash too fast, cause my tags ain't right
Me and Jesus the Pimp in a '79 Granada last night

Chorus: *sung* (2X)

Oakland do you wanna ride?
I can't hear you! Oakland do you wanna ride tonight?

(Boots)
City lights from far way can make you drop yo' jaw
Sparklin' like sequins on a transvestite at Mardi Gras
There's beauty in the cracks of the cement
When I was five I hopped over them wherever we went to prevent
whatever it was that could break my momma's back
Little did I know that it would roll up in a Cadillac
And matta' fact, she couldn't see him like a cataract
And on the track, she went from beautiful to battle axe
And back at home, she would cry into her pillow
Vomit in the commode, I was six years old
I would crawl onto her lap and we would hug and hold
She asked me what I thought of Jesus when he broke off some bread
I said, "He missin' a arm, and he seem like a pee-pee head"
She said, "Don't cuss," and my teeth to go brush
And get ready for bed, and the toilet to flush
With tears in my momma's eyes, I was her everything
Before she went out on the stroll
She'd tuck me into bed and sing:

You're just too beautiful for words (repeat)

(Boots)
I see the red and white lights as the ambulance flies
Reminds me of midnight in a dope fiend's eyes
And my 9-year-old self as paramedics leave
Left to ball my eyes out on a neighbor's sleeve
To give illustrations that are clear and clean
I'll take you two hours back before this scene:
Early in the morning when the sun starts to creep
When the birds start to chirp and crackheads go to sleep
Moms was comin' in I heard her keys go clink
Wearin' nothin' but pumps, bikini, and fake mink
Even though she served, for fifty dollars-a-pop
Hardly had enough for rent after Jesus re-copped
That day the landlady got her rent befo' he got his knot
Slammed momma's head against the front bolt lock
Then the pump wit one arm done harm
Reached back and plowed into her head like a farm
Never saw the act, locked in the back, I was cussin'
Heard the blap blap of tewnty headcrack percussion
And body blows, her body froze from bolo's to the spine
I was hysterically cryin', all she could do was whine
She didn't even have the strength to say, I love you boo
But I said it to her and she knew that I knew
She was dead by the time the ambulance got on the case
But I never will forget the plastic hand stuck in her face
Stop at the intersection to ask Jesus 'bout directions
Go to frisco. (I got very friendly vocal inflections)
Mob a left at macarthur to continue in flight
Me and Jesus the pimp in a '79 granada last night

(Chorus)

(Boots)
The rain dropped giant pearls, God was pissin' on the world
Or that old man who was snorin' rolled on over and earled
My temperatyre gayge read cold and blistery
Spinnin' wheels made each piece of asphault history
This was Jesus debut out the penitentiary
Fifteen years, but it seem like a century
See, he went in the pen for some other murder drama
Twelve years old when I wrote him quote I wanna be a pimp comma
You accidentally killed my mom, no playa hation points
You know how bitches act, shit exclamation points
First it was a set up move, then it was the truth
His letters were the only thing I had as a youth
But his lopsided game, see, was really counterfeit
So my little son dominic thinks that I'm a dick
Cause I was runnin' 'round like a little baby Jesus
To me women had to be saints, hoes, or skeezers
And I don't think that it's gon' end til we make revolution
But who gon' make the shit if we worship prostitution?
Ain't no women finna die for the same ol' conclusion
Put they life on the line so some other pimp could use 'em
Pulled into a vacant lot, the road to recovery
Pulled out my pistol as we brushed against the shrubbery
Jesus said, why the hell you pointin' a gat?
So I pulled a piece of game I could use out the hat
I said, this trip is over, we ain't finna ride on
This is for my mental and my momma that I cried on
Microsoft motherfuckers let bygones be bygones
But since I'm macintosh, i'ma double click your icons
He struggled for life, then gave up the fight
Me and Jesus the pimp in a '79 granada last night

(Chorus)Lyrics provided by TANCODEhttp://lyricsever.com/" readonly=""/>

Me and Jesus the Pimp In a '79 Granada Last Night Lyrics

(Boots)
Well, he was smilin' like a vulture as he rolled up the horticulture
Ignited it, and said, "I hope the vapors don't insult ya"
What I replied denied, but he mixin weed and hop
His head was noddin' up and down like he agreed a lot
Bored, said, "We need a plot," I comply, "Let's leave the spot"
Hopped in the Granada, he's impressed by the beat I got
His name is "hay-zoos" but his pimp name is "gee-zus"
Slapped a hoe to pieces with his plastic prosthesis
"Nigga don't you know that I'm your daddy?" said he
This is true, plus he schooled me for my mackin' degree
"Never plea, try not to flee, make niggaz pee when you stick around"
This man my momma had found taught me to put it down
I press the gas to the ground to show that I'm a hound
Makin' sho' that get rubber sound is heard throughout the town
Thirty years ago, Jesus could pull a hoe quick
But now he 50 and his belly hangs lower than his dick
Philosophy that he spit stuck in my memory chips
And now he puttin' in a disk of Gladys Knight and the Pips
Then that shit starts to skip, he said, "Somebody musta scratch it"
Put the 40 to his lips and poured the contents down the hatchet
Well since my adolescence, cause of his pimp lessons
smack my woman in the dental just for askin' silly questions
Relationship reduction to either rock the box or suction
Ain't got no close partners, socially I can't function
From the pen he would scribe, on how to survive:
"Don't be Microsoft, be Macintosh with a Hard Drive"
Used to tell me all the time to keep a bitch broke
Did I mention that my momma was his number one hoe?
Clunked the 40 on the flo' and placed his palm on the dash
and wheezed out, "C'mon man, make this motherfucker mash!"
Ain't gon' mash too fast, cause my tags ain't right
Me and Jesus the Pimp in a '79 Granada last night

Chorus: *sung* (2X)

Oakland do you wanna ride?
I can't hear you! Oakland do you wanna ride tonight?

(Boots)
City lights from far way can make you drop yo' jaw
Sparklin' like sequins on a transvestite at Mardi Gras
There's beauty in the cracks of the cement
When I was five I hopped over them wherever we went to prevent
whatever it was that could break my momma's back
Little did I know that it would roll up in a Cadillac
And matta' fact, she couldn't see him like a cataract
And on the track, she went from beautiful to battle axe
And back at home, she would cry into her pillow
Vomit in the commode, I was six years old
I would crawl onto her lap and we would hug and hold
She asked me what I thought of Jesus when he broke off some bread
I said, "He missin' a arm, and he seem like a pee-pee head"
She said, "Don't cuss," and my teeth to go brush
And get ready for bed, and the toilet to flush
With tears in my momma's eyes, I was her everything
Before she went out on the stroll
She'd tuck me into bed and sing:

You're just too beautiful for words (repeat)

(Boots)
I see the red and white lights as the ambulance flies
Reminds me of midnight in a dope fiend's eyes
And my 9-year-old self as paramedics leave
Left to ball my eyes out on a neighbor's sleeve
To give illustrations that are clear and clean
I'll take you two hours back before this scene:
Early in the morning when the sun starts to creep
When the birds start to chirp and crackheads go to sleep
Moms was comin' in I heard her keys go clink
Wearin' nothin' but pumps, bikini, and fake mink
Even though she served, for fifty dollars-a-pop
Hardly had enough for rent after Jesus re-copped
That day the landlady got her rent befo' he got his knot
Slammed momma's head against the front bolt lock
Then the pump wit one arm done harm
Reached back and plowed into her head like a farm
Never saw the act, locked in the back, I was cussin'
Heard the blap blap of tewnty headcrack percussion
And body blows, her body froze from bolo's to the spine
I was hysterically cryin', all she could do was whine
She didn't even have the strength to say, I love you boo
But I said it to her and she knew that I knew
She was dead by the time the ambulance got on the case
But I never will forget the plastic hand stuck in her face
Stop at the intersection to ask Jesus 'bout directions
Go to frisco. (I got very friendly vocal inflections)
Mob a left at macarthur to continue in flight
Me and Jesus the pimp in a '79 granada last night

(Chorus)

(Boots)
The rain dropped giant pearls, God was pissin' on the world
Or that old man who was snorin' rolled on over and earled
My temperatyre gayge read cold and blistery
Spinnin' wheels made each piece of asphault history
This was Jesus debut out the penitentiary
Fifteen years, but it seem like a century
See, he went in the pen for some other murder drama
Twelve years old when I wrote him quote I wanna be a pimp comma
You accidentally killed my mom, no playa hation points
You know how bitches act, shit exclamation points
First it was a set up move, then it was the truth
His letters were the only thing I had as a youth
But his lopsided game, see, was really counterfeit
So my little son dominic thinks that I'm a dick
Cause I was runnin' 'round like a little baby Jesus
To me women had to be saints, hoes, or skeezers
And I don't think that it's gon' end til we make revolution
But who gon' make the shit if we worship prostitution?
Ain't no women finna die for the same ol' conclusion
Put they life on the line so some other pimp could use 'em
Pulled into a vacant lot, the road to recovery
Pulled out my pistol as we brushed against the shrubbery
Jesus said, why the hell you pointin' a gat?
So I pulled a piece of game I could use out the hat
I said, this trip is over, we ain't finna ride on
This is for my mental and my momma that I cried on
Microsoft motherfuckers let bygones be bygones
But since I'm macintosh, i'ma double click your icons
He struggled for life, then gave up the fight
Me and Jesus the pimp in a '79 granada last night

(Chorus)

Lyrics provided by LyricsEver.com
The Coup is a political hip hop group based in Oakland, California. It formed as a three-member group in 1992 with rappers (Raymond) Boots Riley and E-Roc along with DJ Pam the Funkstress. E-Roc left on amicable terms after the group's second album, but appears on the track "Breathing Apparatus" on The Coup's third album, Steal This Album. The group is now a duo.

The Coup, part of the sub-genre of political hip hop, is politically radical and Marxist in their music, and align themselves with other radical hip-hop groups like Dead Prez. Their music is characterized by electronic sounds and bass-driven backbeats overlaid by humorous, cynical and sometimes violent lyrics criticizing capitalism, American politics, pimping as a form of patriarchal exploitation, and police brutality, among other things.

The Coup's debut album was 1993's Kill My Landlord. In 1994 they released their second album, Genocide and Juice. After a four-year recording hiatus, the group released the critically acclaimed Steal This Album in 1998, the title of which was reminiscent of lifestylist Abbie Hoffman's Steal this Book. The album featured the stand-out single "Me and Jesus the Pimp in a '79 Granada Last Night". The online magazine Dusted called Steal This Album "the best hip-hop album of the 1990s".

In 2001, The Coup released Party Music to widespread praise. However, in part due to distribution problems, sales of the album were low. The original album cover art depicted group members Pam the Funkstress and Riley standing in front of the twin towers of the World Trade Center as they are destroyed by huge explosions; Riley is pushing the button on a guitar tuner. The cover art was finished in June 2001, and was scheduled to be released just after the September 11, 2001 attacks. In response to the uncanny similarity of the artwork with the Sept. 11 attacks, the album release was held back until alternative cover art could be prepared.

The attention generated to the album's cover art generated some criticism of the group's lyrical content as well, particularly the Party Music track "5 Million Ways to Kill a CEO". The song's rap includes lines like, "You could throw a twenty in a vat of hot oil/When he jump in after it, watch him boil". Conservative columnist Michelle Malkin cited the song in calling The Coup's work a "stomach-turning example of anti-Americanism disguised as highbrow intellectual expression".

On November 15, 2005, Tarus Jackson (AKA Terrance), who had joined the group as a promoter, was fatally shot during a robbery at his home in Oakland.

December 2, 2006 saw another tragedy for The Coup: About two hours following a performance at the San Diego House of Blues, the tour bus in which they were riding drove off the road and flipped over before becoming engulfed in flames. All passengers managed to climb out alive, though some were badly injured. They did, however, lose all of their clothes, computers, cash, identification, house/car keys and cell phones as well as all of their instruments and sound equipment. Since an insurance settlement is potentially a year away, they were forced to cancel the rest of their tour.

Current line-up:

Boots Riley: Lyrics, Vocals, Production, Handclaps, Dancin and Keyboard tweeks.
Pam The Funkstress: Scratches and Poplocking
Silk-E: Vocals and gettin her muthafuckin gig on.
B'nai Rebelfront: Guitar and "not a damn thing else".
J.J. Jungle: Bass, Backflips, and Spins.
Hassan Hurd: Drums and football.
LJ Holoman: Organ and other keys.

Their songs "My Favorite Mutiny" and "Pork & Beef" were featured in the 2007 film Superbad, while "Ridin' The Fence" was featured in EA's 2007 skateboarding video game, Skate. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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The Coup