No I Don't - Vaughan Penn

Viewed 5 times


Print this lyrics Print it!

     
Page format: Left Center Right
Direct link:
BB code:
Embed:

No I Don't Lyrics

You gotta stand with empty hands
It's funny how I'm turning responsibly numb
We let the money burn and it spoiled all the fun
If it's gone, it's a big burden lifted
I hope somebody learned a lesson well
If it's gone, then we don't really need it
It's a warning sign
I can tell
I can tell
I can tell

(Chorus:)
No I don't have to let it bother me
Bother me now
No I don't have to let it carry me, carry me down
No I don't have to let it cover me
Let it smother me
No I don't have to do that now
No I don't

You gambled all your chances like you just wished them away
Now was it really worth it to just be king for a day
If it's gone, then it will not desert you


Some times the better things in life are free
If it's gone, then thank God it can't hurt you
It's just the way it is
Got too big, got too big, got too big

(Chorus)

You've gotta stand with empty hands
There's a voice that keeps saying to let it go every time you bleed
It's about faith
Every time you need

(Chorus)

No I don't
No I don't have to do that now
It's about faith
No I don't have to do that
I don't have to
You don't have to
We don't have to let it get to us anymore
You gotta stand with empty hands

Lyrics provided by LyricsEver.com
Vaughan Penn grew up in a small North Carolina town where by age 14, she was singing and performing on a regular basis. After high school, she made a commitment to herself and to her music and made the long migration to Los Angeles.

In LA, she made a living working on movie sets and television shows while honing her songwriting skills, performing her original music, and learning life's lessons. While in LA, she caught the attention of high profile publishers and was also nominated for Acoustic Artist of the Year by the National Academy of Songwriters.

She made her way to Nashville and began focusing on her music career and songwriting full time. In Nashville, she found another love, recording. "I had a studio in the basement of the house where I lived so I got comfortable working anytime I felt inspired. I had no pressure to be creative so the muse really flowed. I started assigning all the parts I heard in my head to the different instruments on the tracks. I developed a passion for orchestration, overdubs, and the vast choices of melodies that can work together. Producing gives me more room to be creative on a multi-faceted level."

She was invited to perform at MIDEM, the world's largest independent music festival in Cannes, France. From there, she toured Europe and promoted her self-produced recordings compiled on her first release, "The World's Alright." It was distributed and supported by MD Records, one of Scandinavia's most successful independent labels. "Eye for an Eye" served as a catalyst to generate airplay and build a respectable Scandinavian fan base. Critics from leading newspapers in Sweden, Denmark, and Norway loved the recordings and gave the record outstanding reviews. As a result of the sudden notoriety, she was asked to be a featured artist and perform live on the very popular primetime talk show in Norway, Vera Vera.

Back in the US, she continued to write fervently, this time with more of a pop-rock feel that led her back into the studio to begin recording. She spent the next few years as a writer and producer and had the privilege of co-producing some of her songs with Ben Keith (musician and producer for Neil Young and Jewel's "Pieces of You").

After spending four years focusing on writing and recording, Vaughan has returned to the place that it all began, the stage. It seems to be the most natural and obvious progression for Vaughan to really come into her own and show people what she is truly made of. Vaughan has created her own unique brand of folk-pop-rock music that combines meaningful songwriting with strong, positive messages and a powerfully melodic sound; which is a rare thing these days in music. With strong rhythmic textures, interesting chords and memorable orchestrations her songs scream out "Hit Song" when you hear them, while all at the same time, they pour out pure emotional honesty; both musically and lyrically.
Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

View All

Vaughan Penn