When Charlotte Qvale was seven years old, her mother and father stood in the driveway with broad smiles and a 101 years old piano on the trailer. The piano had been bought from the canteen of Petterøes Tobacco factory. She fell in love with the out of tune, beautiful instrument and the music that came out of it. That infatuation is seemingly everlasting.

When Charlotte Qvale was seven years old, her mother and father stood in the driveway with broad smiles and a 101 year old piano on the trailer. The piano had been bought from the canteen of Petterøes Tobacco factory. She fell in love with the out of tune, beautiful instrument and the music that came out of it. That infatuation is seemingly everlasting.

On that old piano she has written songs for the theatre, stage, film and for heavy rotation on the radio. Before the songs arrived where they were supposed to, Qvale went in the studio with producer Thomas Eriksen.

“I saw the light, and it was Thomas. We spoke the same language. I had never experienced anything like it before. All of a sudden I was living in a musical wonderland where anything was possible.”

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