Pan Opticon - Coldcut

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Embed: so many different experiences, managed to
come together with a common cause and
think as if they were one person"
"When you get to look at what the young
people of the earth are doing now - all the
younger generations here they've all got
your number. You're obsolete - you're already
history - no more of you need come
through"
"Guilty of violence - guilty of violence -
guilty of violence against the earth"
"All that is left is left is a single question - at which
tree do we stop? stop-stop-stop-stop-stop"
"You do not automatically have the right of way"
"Stop"
"This is a handcuff - this is what you have
to do to try and stay in your house when
they're coming in to take you out - one of
us puts our hand in this side, one in the
other side, click a small handcuff in the
middle, so that our hands are joined. So
that our hands are joined"
"Lock on for what you believe in"
"Till the next time a tree gets in the way of progress"
"We now require you to leave the premises - we now require you to leave
the premises"
"Please be careful"
"Shame on you, shame on you, -repeat"
"Get in the way of progress"
"Lock on for what you believe in"
"Things go in cycles - repeat"Lyrics provided by TANCODEhttp://lyricsever.com/" readonly=""/>

Pan Opticon Lyrics

"So many people from so many backgrounds,
so many different experiences, managed to
come together with a common cause and
think as if they were one person"
"When you get to look at what the young
people of the earth are doing now - all the
younger generations here they've all got
your number. You're obsolete - you're already
history - no more of you need come
through"
"Guilty of violence - guilty of violence -
guilty of violence against the earth"
"All that is left is left is a single question - at which
tree do we stop? stop-stop-stop-stop-stop"
"You do not automatically have the right of way"
"Stop"
"This is a handcuff - this is what you have
to do to try and stay in your house when
they're coming in to take you out - one of
us puts our hand in this side, one in the
other side, click a small handcuff in the
middle, so that our hands are joined. So
that our hands are joined"
"Lock on for what you believe in"
"Till the next time a tree gets in the way of progress"
"We now require you to leave the premises - we now require you to leave
the premises"
"Please be careful"
"Shame on you, shame on you, -repeat"
"Get in the way of progress"
"Lock on for what you believe in"
"Things go in cycles - repeat"

Lyrics provided by LyricsEver.com
The duo comprises DJs Matt Black & Jonathan More, formed in London, England around 1986. During their career they have encompassed a wide range of styles from hip hop and rap to electronica and jazz-inflected sounds. They began working together in the mid-eighties on the (then) pirate radio station KissFM. Shortly thereafter they released their first single, "Say Kids, What Time Is It?", which marked the first stirrings of the UK's dance/cutup scene. This was followed by their influential remix of Eric B. & Rakim's "Paid in Full," which made the top 10 and was voted best remix of the year. Featuring a prominent Ofra Haza sample and a slew of other vocal cutups, it is now regarded as both a hip hop classic and a breakthrough in the remix field.

Their first major hit as Coldcut was the house-inflected "People Hold On," featuring a then-unknown Lisa Stansfield. The single took the U.K. by a storm, and the subsequent album featured such luminaries as Junior Reid (on the single "Stop This Crazy Thing") and Queen Latifah.

In 1991 they started their own record label, Ninja Tune, which continues to release groundbreaking and extremely diverse music by a small army of like-minded artists. In 1997 the duo unveiled their own real time video manipulation software, VJamm. Coldcut's current live and DJ sets rely on video as much as records, taking the concept of multimedia performance into largely uncharted territory.

Conceptually, Coldcut owes as much to the ideas of beat writer and cut-up theorist William S. Burroughs, 1970s art / industrial group Throbbing Gristle, and the religious writings of J. R. "Bob" Dobbs as much as to Hip Hop originators like Grandmaster Flash or later innovators Double D and Steinski.

Recognizing the power inherent in Burroughs' cut-up technique and its presence in hip hop music, More and Black have relentlessly pushed the D.I.Y. ethic and an understanding of play as a means of fostering greater interaction with and understanding of the world around you. The similarities between this ethos and that of hacking need hardly be stated. Ninja Tune uses a corporate facade to communicate via the marketplace itself, an idea first implemented by Throbbing Gristle via their own Industrial Records imprint.

One of the key aspects of the Ninja Tune ethos, Stealth, implies that their following of DJs and listeners are "agents" in a Burroughsian sense, propagating the D.I.Y. ethic of play as an essentially subversive act by replaying and manipulating media under the radar of mainstream culture. Nowadays Coldcut reach a worldwide audience through their syndicated radio show Solid Steel. Black has recently (2003) worked with Penny Rimbaud (ex Crass) on Crass Agenda's Savage Utopia project. Coldcut have recently released a new album, Sound Mirrors which has helped build up a massive underground audience thanks to the popularity of the single True Skool. The song itself features an Indian sample from a cult Bollywood era making the track incredibly popular on the bhangra and desi scene and with most of the British Asian urban nation.

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