Slow Dancing in a Burning Room - Lindsay Ell

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Slow Dancing in a Burning Room Lyrics

It's not a silly little moment
It's not the storm before the calm
This is the deep and dying breath of
This love that we've been working on
Can't seem to hold you like I want to
So I can feel you in my arms
Nobody's going to come and save you
We pulled too many false alarms

We're going down (down)
And you can see it too
We're going down (down)
And you know that we're doomed
My dear, we're slow dancing in a burning room

I was the one you always dreamed of
You were the one I tried to draw
How dare you say it's nothing to me
Baby, you're the only light I think I ever saw
I'll make the most of all the sadness
You'll be a ... because you can
You try to hit me just to hurt me
So you leaving me feeling dirty
'Cause you can't understand

We're going down (down)
And you can see it too
We're going down (down)
And you know that we're doomed
My dear, we're slow dancing in a burning room

Go cry about it, why don't you
Go cry about it, why don't you
And go cry about it, go cry about it
My dear, we're slow dancing in a burning room

Don't you think we ought to know by now
Don't you think we should've learned somehow
Don't you think we ought to know by now
Don't you think we should've learned somehow
Don't think we ought to know
Don't think we ought of had to learn somehow

Lyrics provided by LyricsEver.com
"My dad will tell you that when I was little, the car radio had to be on the country station," Lindsay Ell explains. "If my older brother touched the dial, I would beg him to turn it back. It got to the point that if they were listening to something else, all I had to do was get in the car and they'd automatically flip over to country."

Coming from a family with deep musical roots, the Stoney Creek Records’ artist started playing piano and guitar at a very early age. "I learned how to play guitar traveling to country-bluegrass camps with my dad, and knew right from the beginning of my strong passion for country music."

The 24-year-old Calgary native was discovered at 13 by BTO and The Guess Who's Randy Bachman ("American Woman," "Takin' Care Of Business"). "Randy learned guitar from master jazz guitarist Lenny Breau, so I dove head-first into this world of blues, jazz and rock guitar – learning all these different solos, switching radio stations and trying to get an idea of where all those techniques come from. I was listening to Hendrix, Stevie Ray Vaughan, Clapton, Derek Trucks and all those incredible guitar players.”

Lindsay’s passion and study has served her well, leading to several unique opportunities, including an opening slot with blues icon Buddy Guy; however, her first songwriting trip to Nashville was the catalyst that brought her early affinity for country full-circle. "When I got here, it was like I was home," she says. "I didn't need to put on a facade of who I was or wasn't. And I finally fell back into my roots. Coming to Nashville brought me to who I am and who I'm meant to be."

This year, Lindsay embarks upon one of her most exciting opportunities to-date: an opening slot on The Band Perry’s We Are Pioneers World Tour encompassing 50 dates throughout Europe and North America. The North American leg of the tour kicks off February 6th in Independence, MO.

Because it is rare, she knows her six-string prowess is not the only focal point, but an accent to her vision as an artist. "There aren't a lot of girls who play electric lead guitar, and it can be a defining thing," she says. First and foremost, I want people to hear me and understand my voice as a country music recording artist. When they come see me, I'd love it if they were impressed at my guitar and piano playing. But by that point, hopefully they understand the artist behind it all has a lot of different sides to her music."

To get to that point, she knows radio will be key – and she can't wait. “Going out on a radio tour and having the chance to share my music and show people how ready I am is the most exciting step I've made yet."

Having spent a decade learning about the music industry from the front of a stage, Lindsay Ell is more than ready for that step – however big or small. "Playing live, honing my craft and developing as performer before taking my first serious try at being a recording artist and getting radio airplay gives me a foundation a lot of artists just don't get. I've had the cords fail, the monitors shut down and mics die. I've seen all kinds of crowds ... and no crowd at all. I feel ready as a singer and a musician. I have confidence as a performer. I've been writing for years and, since moving to Nashville, have found how best to communicate who I am. I'm comfortable in a conference room with six people or onstage opening for Keith Urban in front of thousands. It's really not that different. Both are exciting and a little humbling. Either way, I'm ready to go."

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