Standing In for Jody - Johnnie Taylor

Viewed 9 times


Print this lyrics Print it!

     
Page format: Left Center Right
Direct link:
BB code:
Embed:

Standing In for Jody Lyrics

I don't need nobody
Shaking my tree
Save all your love
Save it just for me

You kiss me but the feeling just ain't there
No, no you're saving the real thing for Jody
And you're using me just for a spare
I can see through that

You come running, running
Running, running, running to me
Each time Jody makes you cry
Lord, have mercy

You're nothing but a fool for Jody
But I'm a bigger fool to watch the
Tears as they fall from your eyes
All right, now

I'm gonna tell you something
I'm tired of standing in for Jody
(I got to keep you for myself)
Oh, tired of standing in for Jody
(I got to keep you for myself)
You see, a man can't be a man
Playing second fiddle to someone else

One day, one day soon, baby
You're gonna wake up and see
Jody's just using you, baby
The same doggone ways
Using [Incomprehensible]

But let me tell you something
I'm so tired, I've had enough
'Cause you're callin' out his name
When we're making love

Each day, I love you a little bit more
How do you think I feel
When Jody comes around
And I have to go

I don't want nobody
Shaking apples in my tree
Save all your love
Give it all to me
Oh, yeah, now

Stop using me
Using me, using me
Lord, have mercy

Tired of standing in for Jody
(I got to keep you for myself)
Oh, I'm so tired of standing in for Jody
(I got to keep you for myself)
A man can't be a man playing
Second fiddle to someone else

I bet somebody's waiting out there tonight
Watching their watch trying to see what time it is
Jody was supposed to pick you up take you to the movie show
Then he called, he told you it's too late
I got another date, honey can't see you no more

Don't you get tired
Of waiting on Jody
(Standing in on Jody)
Don't you get tired
Standing in, standing in
And waiting for

Tired, tired, tired
Oh, I'm so tired
Jody [Incomprehensible]

Lyrics provided by LyricsEver.com
Johnnie Harrison Taylor (born May 5, 1937, Crawfordsville, Arkansas; died May 31, 2000, Dallas, Texas) was an American musician that sang in a wide variety of genres, including blues, disco, gospel, pop, and soul. Often using an energetic, belting delivery, he's perhaps best known for his work for the iconic Stax/Volt label, particularly with southern soul classics such as "Who's Making Love" and "Jody's Got Your Girl and Gone" in which he held his own against friendly rivals such as Otis Redding and Sam & Dave.

Growing up amidst music, Taylor had one release, "Somewhere to Lay My Head", on Chicago's Chance Records in the 50s as part of a doo-wop group called Five Echoes. Taylor was also part of the gospel group, The Highway QC's also, replacing r&b artist Sam Cooke that had left to become the lead singer of the Soul Stirrers in 1951. Then, after Cooke left the Soul Stirrers in 1957, Taylor was hired to take Cooke's place as lead singer.

A few years later, after Cooke had established his independent SAR Records, Taylor signed on and recorded "Rome Wasn't Built In A Day" in 1962. However, SAR Records quickly became defunct after Cooke's tradic early death in 1964.

In 1966, Taylor moved to Stax Records in Memphis, where he was dubbed "The Philosopher of Soul". While there he recorded with the label's house band, Booker T. & the MGs. His hits included "I Had a Dream", "I've Got to Love Somebody's Baby" (both written by the team of Isaac Hayes and David Porter) and most notably "Who's Making Love?", which reached No. 5 on the Billboard Top 40 and No. 1 on the R&B charts in 1968. During his tenure at Stax, he became an R&B star, with over a dozen chart successes, such as "Cheaper to Keep Her" (Mack Rice) and producer Don Davis's "I Believe in You (You Believe in Me)".

After Stax folded in the mid 1970s, Taylor switched to Columbia Records, where he made his best-known hit, "Disco Lady", in 1976. "Disco Lady" was the first certified platinum single. Columbia pigeonholed Taylor as a disco artist, however, and neglected his wide-ranging talent. Not surprisingly, his record sales slipped.

After a brief stint at Beverly Glen Records, Taylor signed with Malaco Records after the label's founder Tommy Couch and producing partner Wolf Stephenson heard him sing at blues singer Z.Z. Hill's funeral in the spring of 1984. Backed by members of The Muscle Shoals Rhythm Section as well as in-house veterans like former Stax keyboardist Carson Whitsett, Malaco gave Taylor the type of recording freedom that Stax had given him in the late 1960s and early 1970s, enabling him to record ten albums for the Malaco label in his sixteen year stint. Taylor's record sales were good but not enough for the singer to receive the measure of stardom he once had.

In 1996, Taylor's eighth album for Malaco, Good Love!, made it to Number One on Billboard's Blues chart (#15 R&B), the biggest record in Malaco's history.
Malaco recorded a live video of Taylor at the Longhorn Ballroom in Dallas, Texas in the summer of 1997.

Johnnie Taylor's 1999 album, "Gotta Get the Groove Back", also reached the # 1 Position on the Billboard Blues Charts. This album which featured veteran songwriter, Lamar Thmas (Woman don't be Afraid) was also a Grammy Nominated album during the same year that Johnnie passed.

Taylor was given a Pioneer Award by the Rhythm and Blues Foundation in 1999. He died in Dallas at the age of 63.

In what would turn out to be a sad foreshadowing, Taylor's final song was "Soul Heaven", in which he dreamed of being at a concert featuring deceased Soul music icons Otis Redding, Jackie Wilson, Marvin Gaye, Sam Cooke, and MGs drummer Al Jackson, among others. In one verse, Taylor sang, "I didn't want to wake up/I was havin' such a good time".
Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

View All

Johnnie Taylor