Synthesizer - The Cataracs

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Synthesizer Lyrics

Hit the equalizer, you know how we like it
Give me that bass, bitch
Give me that, give me that bass, bitch
You want the real thing, not the synthesizer

Give me that bass, bitch
Give me that, give me that bass, bitch
Give me that bass, bitch
Give me that, give me that bass, bitch
Give me that bass, bitch
Give me that, give me that bass, bitch

Inhale, exhale
Mommy, look there with the pigtails
High seas, fish scale, baby, got wet like Ariel
Intel, process, yogured up like Loch Ness

But I'm hungered up like Scarlett Jo
Yo stand back, I got this, can't stop this thing I do
During night like déjà vu
I want to, I want to, I want to fuck you

Pardon my French, I want to fuck le
Pardon my Spanish, I want to fuck tu
And do a little bit of room coming through
Stop, put your hands back down, okay now

Hit the equalizer, you know how we like it
Give me that bass, bitch
Give me that, give me that bass, bitch
You want the real thing, not the synthesizer

Give me that bass, bitch
Give me that, give me that bass, bitch
Give me that bass, bitch
Give me that, give me that bass, bitch

Give me that bass, bitch
Give me that, give me that bass, bitch
Give me that bass, bitch
Give me that, give me that bass, bitch
Give me that bass, bitch
Give me that, give me that bass, bitch

Give me bass, bitch, give me that face
Don't be so basic, we can all use the little change
Let's go creola, that should crack yola
I don't be damned, why? I own the controller

Hoed you, impose you, hold it up in my soda
Hoes up, classic, Beethoven they ask us
Taking over that apex, take the globe and smash it
Twenty thou, want to get in the crowd, man, this shit is massive

Hit the equalizer, you know how we like it
Give me that bass, bitch
Give me that, give me that bass, bitch
You want the real thing, not the synthesizer

Give me that bass, bitch
Give me that, give me that bass, bitch
Give me that, give me that bass, bitch
Give me that, give me that
Give me that bass, give me that bass

Lyrics provided by LyricsEver.com
You can't plan for a new beginning.

It often just happens without any warning or notice. There's no time for preparation. However, if
you embrace it with an open heart and mind, everything can change for the better.

Ever since 2004, production powerhouse and platinum-selling eclectic pop unit The Cataracs had
been a duo—Niles and David. However, in the summer of 2012, after the release of the sizzling
hot Gordo Taqueria [Indie-Pop/Republic Records] and its fiery lead single "All You" featuring
Kaskade and Waka Flocka Flame, David decided to follow a lifelong dream and travel the world,
effectively leaving The Cataracs a one-man unit. Niles dusted himself off and kept forging ahead
though.

"It left me really vulnerable and anxious for a minute," he admits. "It also gave me the
opportunity to come into my own as a solo act and even realize the initial vision that I had for
The Cataracs. I like creating intelligent dance music that makes people move. That's what I've
wanted to do since the beginning. Campa and I weren't always on the same page about that.
Now, I have an even clearer understanding of what The Cataracs is, and I'm making the best
music I've ever made."

That's a bold claim, but it's true. From day one, Niles had served as the group's producer and
produced other artists under the moniker "The Cataracs". He was behind the immortal beat for
Far East Movement's "Like a G6" featuring Dev. The track became a worldwide phenomenon,
surpassing digital sales of 3 million and topping the Billboard Hot 100. It also kick-started the
careers of Far East Movement and Dev and created unanimous demand for production from
Niles.

From there, he worked the board for Dev's platinum smash "In the Dark" as well her entire major
label debut, The Night the Sun Came Up, Snoop Dogg's saucy "Wet", and other tracks from the
likes of Enrique Iglesias, Usher, 50 Cent, New Boyz, and more. He's also been sought out by
everyone from E-40 to David Guetta.

At the same time, honing his two-prong vision for The Cataracs, he's pushing the boundaries of
pop. On his solo material, he cooks up an infectious concoction of sexy dance music with lo-fi
hip hop swagger and undeniable pop bliss. In November and December, Niles will be releasing
a free track every week leading up to the debut of a yet to be titled free EP.

The next chapter of The Cataracs has kicked off with a bang, and it's only just begun.

"I've got confidence like I've never had before," enthuses Niles. "I want fans to walk away from
my music with something they're not getting anywhere else. I want to break the fucking boring
static coming out of the radio. I want to give people addictive, catchy songs. That's what I love to
do." Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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The Cataracs