Taxi Driver - Steel Pulse

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Taxi Driver Lyrics

Now hear this crowd of people
I man well vex
And just have fe big up me chest
Cause the Taxi Driver don't have no respect
Want I fe catch bus hop truck and
Ride bike and stand up on the road
And hitch hike
But you see me... dem deh things can't go on
Cause Natty Dread RIDE THE STORM

CHORUS
Taxi Driver
Won't stop for me
Whenever I flag him down
He won't stop for me

DJ BUMBO BROWN
In a London city and in a New York
There are no go areas after dark
I say muggers on the streets
And thief in the park
Tramps pon the sidewalk
A dem a sky lark
Some a catch the taxi - when they reach
Their spot
Pretend to pay the driver
And then they just run off
Some a argue with the driver
And say the fare aint right
The next thing you know
They have a kitchen knife

CHORUS
Taxi Driver
Won't stop for me
Whenever I flag him down
He won't stop for me

To hail a cab
You got to be fast
You try to catch a taxi
But they just drive past

DAVID DREAD
The taxi-cab driver never stop for me
They got all kind of excuses up his sleeve
Some say they off duty
Some say they not free
The taxi cab driver never stop for me
Because of my dreadlocks looking wild
They think I'm a mugger of some bad guy
No they never stop they just pass me by
They treat me like a leper
Who's left to die Yo!

Excuse me mate can you get me a taxi
Is that the driver
Boy... Jungle

DJ BUMBO BROWN
You think that bad
Mek I tell you what the brute
Do to me youth
Well I was walking with my son
Who was just a child
And still the Taxi Driver
Won't give me a ride
He was caught by the traffic lights
And had to slow down
So I opened the back door
And sat my son down
So he tried his best to
Stop me from coming in
I say move yourself man
And start your driving
He was very angry
But he asked where to
I said take me to the station
My train leaving soon
So guess what he did to me
Just for spite
He stopped at every single traffic light
He took the wrong turn
And the long way too
He stopped at the bar
Just to use the loo
When I got to the station
It was all in vain
Good golly good gosh
I say I miss my train

Me kick up the taxi
Me kick up the Taxi Driver
Me lick up the taxi
Me lick up the Taxi Driver
Not stopping
He just not stopping

Lyrics provided by LyricsEver.com
Steel Pulse is a British roots reggae band from Birmingham, England. They were the first non-Jamaican act to win the Grammy Award for Best Reggae Album for their 1986 album Babylon The Bandit.

Steel Pulse originally formed at Handsworth Wood Boys School, Birmingham, and comprised David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals) and Ronnie McQueen (bass).

However, it is Hinds who, as songwriter, has always been the engine behind Steel Pulse, from their early days establishing themselves in the Birmingham club scene onwards. Formed in 1975, their debut release, 'Kibudu, Mansetta And Abuku" arrived on the small independent label Dip, and linked the plight of urban black youth with the image of a greater African homeland. They followed it with 'Nyah Love' for Anchor.

Surprisingly, they were initially refused live dates in Caribbean venues in the Midlands because of their Rastafarian beliefs. Aligning themselves closely with the Rock Against Racism 1 organisation, they chose to tour instead with sympathetic elements of the punk movement, including the Stranglers, XTC etc.: "Punks had a way of enjoying themselves - throw hordes at you, beer, spit at you, that kind of thing".

Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Their first release for Island was the 'Ku Klux Klan' 45 rpm, a considered tilt at the evils of racism, and one often accompanied by a visual parody of the sect on stage.

By this time their ranks had swelled to include Selwyn 'Bumbo' Brown (keyboards), Steve 'Grizzly' Nesbitt (drums), Fonso Martin (vocals, percussion) and Michael Riley (vocals). Handsworth Revolution was an accomplished long playing debut and one of the major landmarks in the evolution of British reggae.

However, despite critical and moderate commercial success over three albums, the relationship with Island had soured by the advent of Caught You (released in the US as Reggae Fever). They switched to Elektra, and unveiled their most consistent collection of songs since their debut with True Democracy, distinguished by the Garveyeulogising 'Rally Around' cut.

A further definitive set arrived in Earth Crisis. Unfortunately, Elektra chose to take a leaf out of Island's book in trying to coerce Steel Pulse into a more mainstream vein, asking them to emulate the pop-reggae stance of Eddy Grant. Babylon Bandit was consequently weakened, but did contain the anthemic 'Not King james Version', which was a powerful indictment on the omission of black people and history from certain versions of the Bible.

Their next move was id Hinds of Steel Pulse to MCA for State Of Emergency, which retained some of the synthesized dance elements of its predecessor. Though it was a significantly happier compromise, it still paled before any of their earlier albums.

Rastafari Centennial was recorded live at the Elysee Montmarte in Paris, and dedicated to the hundred year anniversary of the birth of Haile Selassie. It was the first recording since the defection of Fonso Martin, leaving the trio of David Hinds, Steve Nisbett and Selwyn Brown.

While they still faced inverted snobbery at the hands of British reggae fans, in America their reputation was growing, becoming the first ever reggae band to appear on the Tonight television show. Their profile was raised further when, in 1992, Hinds challenged the New York Taxi and Limousine Commission in the Supreme High Court, asserting that their cab drivers discriminated against black people in general and Rastas in particular.
Drummer Steve "Grizzly" Nisbett (15 March 1948 – 18 January 2018) died in 2018.
The band are still recording and touring. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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