In the early 80's with a background working as a cell animator and hailing from a mid-sized industrial town, Harrisburg, PA, Michele Mercure was embedded in the the town's visual arts community but suffered for lack of decent music - a familiar whinge from anyone who grew up outside of the big cities - so she made her own wickedly inventive and expressive sound using synths, effects, tape loops and vocals.

Her visual and musical worlds first gelled in a 1983 soundtrack for Samuel Beckett's Waiting for Godot, followed by three self-released cassettes which built on that aesthetic, creating a richly synaesthetic style of highly visual yet mostly minimalist music. Released a few years later, Eye Chant was the pinnacle of her output, which was revealed to the world at large, thirty years later via Freedom to Spend. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.