As Speak Onion, Dan Abatemarco treads on, then completely explodes, the line between producer and noisician. He spews seething noise, giant deformed beats and absolutely wrong atmospheres in fits and starts until nothing sounds like what it sounds like anymore. Breakbeats and basslines enter innocently but end up processed beyond recognition and drowning in feedback. Synth sounds are stretched, manipulated, and left ruined as chilling shrieks. The resulting sonic abomination slips between the dimensions of experimentalism, harsh noise, and beat-bashed breakcore. Dancefloor? Maybe. Slaughterhouse floor? Yes, definitely.

Deep sub-basements, dank warehouses and sketchy bars are a natural fit for Speak Onion’s mutant sound. Insisting on energetic, spontaneous, out-of-control performance, Speak Onion eschews a laptop for a cobbled together pile of hardware, intermingling synthesizers, wrecked guitar pedals, homemade sound destroyers and even an iphone. He wants to up-end your party and leave your crowd with blown-out heads. This cannot be overstated: Speak Onion loves playing shows and has the YouTube videos to prove it.

Speak Onion’s latest release, “Trigger Pusher” (IBN011, 2009), aims to capture the style of his live sets, overflowing with energy and unpredictability. These two very-long-form tracks roller-coaster into and out of of chaos; stomping, clawing and weirding out, unfurling into your ears and brain. While it may have the soul of a fire-breathing basement party, “Trigger Pusher” has more than enough acrobatic beats, king-sized basslines, and warped hooks to make it a potential headphone favorite. And it’s all done with Speak Onion’s patented intensity. Warn your ear drums and go for it. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.