Uncle George - Steel Pulse

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Uncle George Lyrics

This One's in memory of Uncle George
We brethrens aware, we realise what you stood for

(4) George Jackson Soledad brother

Malicious unjust society
He became revolutionary

(2) George Jackson Soledad brother

No Three Cheers For Uncle George
Baton Clap but Lord Truncheon make no applause
Weathered face of distortion behind iron bars
Sights of darkness and torture and condemned
Fate that he saw


The framed him Yes they framed him
Backraw back up George
Right now in the morgue
He's rebelling for a cause
Eleven years he's beared the scars of injustice yeh
Deeper scars remain of solitary confinement
No you can't trust the fuzz
He only stole seventy dollars
He was advised to plead guilty
He got not one year but life
For demanding his rights, George

(2) George Jackson Soledad brother

Malicious unjust society
He became revolutionary, George Jackson

Soledad brother,

Prevented, Prohibited, from pardon and parole
Just a foolish youth, from backraw man he stole
Now he lies there rotting in a morbid morgue
The Fuzz claimed he suffered a disease call
rebelling for a cause (4)

O Lord them got George
Them shot George
Help George

(4) George Jackson Soledad brother

Malicious unjust society
He became revolutionary, Jackson
(2) Confinement confinement

George, George Jackson

Lyrics provided by LyricsEver.com
Steel Pulse is a British roots reggae band from Birmingham, England. They were the first non-Jamaican act to win the Grammy Award for Best Reggae Album for their 1986 album Babylon The Bandit.

Steel Pulse originally formed at Handsworth Wood Boys School, Birmingham, and comprised David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals) and Ronnie McQueen (bass).

However, it is Hinds who, as songwriter, has always been the engine behind Steel Pulse, from their early days establishing themselves in the Birmingham club scene onwards. Formed in 1975, their debut release, 'Kibudu, Mansetta And Abuku" arrived on the small independent label Dip, and linked the plight of urban black youth with the image of a greater African homeland. They followed it with 'Nyah Love' for Anchor.

Surprisingly, they were initially refused live dates in Caribbean venues in the Midlands because of their Rastafarian beliefs. Aligning themselves closely with the Rock Against Racism 1 organisation, they chose to tour instead with sympathetic elements of the punk movement, including the Stranglers, XTC etc.: "Punks had a way of enjoying themselves - throw hordes at you, beer, spit at you, that kind of thing".

Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Their first release for Island was the 'Ku Klux Klan' 45 rpm, a considered tilt at the evils of racism, and one often accompanied by a visual parody of the sect on stage.

By this time their ranks had swelled to include Selwyn 'Bumbo' Brown (keyboards), Steve 'Grizzly' Nesbitt (drums), Fonso Martin (vocals, percussion) and Michael Riley (vocals). Handsworth Revolution was an accomplished long playing debut and one of the major landmarks in the evolution of British reggae.

However, despite critical and moderate commercial success over three albums, the relationship with Island had soured by the advent of Caught You (released in the US as Reggae Fever). They switched to Elektra, and unveiled their most consistent collection of songs since their debut with True Democracy, distinguished by the Garveyeulogising 'Rally Around' cut.

A further definitive set arrived in Earth Crisis. Unfortunately, Elektra chose to take a leaf out of Island's book in trying to coerce Steel Pulse into a more mainstream vein, asking them to emulate the pop-reggae stance of Eddy Grant. Babylon Bandit was consequently weakened, but did contain the anthemic 'Not King james Version', which was a powerful indictment on the omission of black people and history from certain versions of the Bible.

Their next move was id Hinds of Steel Pulse to MCA for State Of Emergency, which retained some of the synthesized dance elements of its predecessor. Though it was a significantly happier compromise, it still paled before any of their earlier albums.

Rastafari Centennial was recorded live at the Elysee Montmarte in Paris, and dedicated to the hundred year anniversary of the birth of Haile Selassie. It was the first recording since the defection of Fonso Martin, leaving the trio of David Hinds, Steve Nisbett and Selwyn Brown.

While they still faced inverted snobbery at the hands of British reggae fans, in America their reputation was growing, becoming the first ever reggae band to appear on the Tonight television show. Their profile was raised further when, in 1992, Hinds challenged the New York Taxi and Limousine Commission in the Supreme High Court, asserting that their cab drivers discriminated against black people in general and Rastas in particular.
Drummer Steve "Grizzly" Nisbett (15 March 1948 – 18 January 2018) died in 2018.
The band are still recording and touring. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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