Equal parts 1970's American primitivism and 1960's "low brow" aesthete...a synthesis of primevil art realised as the new "garage" romantisism.

The quartet is based on an unfounded hypothosis that the "arts" of the lower strata can somehow enlighten the more evolved classes.

Jay Wylde studied extensively at the Hardknockes Musikal Academie (3 chord primitive progressions) and the mindset/sociology of "lower-class" social groupings or "tribes", thus making him the logical steward in the wholly new endevour entitled "Thee Wylde Oscars".

His fraternal brother, Aaron Wylde, alternately achieved similiar studies in stringed instruments and arrived at the same conclusion as his sibbling, understanding the WORTH of this "primitive beat".

Adopted identical twin brothers Kato (bass/contra cello/karate master) & Marty (Manipulator of the dark art of beat & drumstick-twirling grand champion (02-07)) joined suit; thus giving propulsive momentum to this otherwise forgotten manifestation of a thing once known as "Rock and Roll".

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