3 Tha Hard Way - Bahamadia

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Embed: slice fit-een yo meen Big East be comin' through ghetto magic plusa da
bullies back it what me now Buddah Blessed 4 I and I provide da
Greatest Natur-role pure as life that exit from Nah gent-ta-tillc
styles interna-sha-nile likde direct connects to internet verbal text
blossum like chia pets per-fect wit da mic devices Bahama-dee be tha'
nices bringin' nix rap thing 2 the light like osyrus - 4 tha' 9 pound
ex-ced-da-ra-saaloom 2 GangStarr and my nigga K-Sarrah
Second verse
Ha yo, I'm doing this for the cruuz claimin' that there better I'm
tickled, ya must be like Sanford on the ripple little by little, I
kick verses from the middle of my brain, the Riddler couldn't fuck wit
Kannon Riddles I remain the undisputed you should of known if you knew
it, Montell couldn't tell you how we do it and few get the chance to
even so the Kannon Dance wit da Kannon Band shit be slammin more than
Larry Nance and plus it's in me to give you more like Demi, I do easy
leave aardway to penny, as I display skillz for what it's worth sent
to this earth to stop the curse of wake lic's upon my turf, this is
the end like Armagedin your settin a bad example niggaz still using my
samples times ample ha yo swyft never said she was the baddest but I
kept it real, you niggaz frontin talkin bout you packin steel your
sportin a first all up in rectum by the central kid's sitting all up
in the bullie section
Third verse
Do you remember those you chase to forget back when ya ears was wet
and now ya preachin' ya releasin' mini-tec I need a mic check because
da static come sparatic emcee's be hooked like addicts while
casualties stay tragic there ain't no glamour in that story all guts
no glory entrenced in jealousy just like the suckers who abhor me they
tell but they don't know the core, so raw is now my reference like
Mumia there is no evidence to say that I'm more tha I am undbending
neve revending similar to million men me say "Just-us" you say me bust
bust mental stagnation like the cancer patients eatin' cow fuss as the
minds rust from dawn to dusk I rest in Mecca the words sound power as
in energy see Heka to die because ya black simply be no cause at all
surreality just like the lengends of the fall initial looks of the
shook hearted kids who shouldn't started lyrics leave like spirits and
and the waters Moses parted Do or Die's ya slogan but niggaz slip with
Trojans major mental corrosion like Murray's meat unfrozen I am the
chosen Earth Sun Moon and Stars hard for me to find a top contender
just to spar some peep the exterior and believe inferior next ya know
they callin for a sound bwoy burial D&D Studio B wicked catch wreck
for infinity one love peace to Bahamadia
Last verse
Like Salt & Pepa, I take it to the next platoe niggaz scream nay what
dis Brown Sugar like D'Angelo I make it better fo' fantanics fienin
for da Buttaz Boo like 25 to lifers do from lack of gettin' douce
u-oou, I put my little thing in action smoother, than sat-tin or
special Ed when he was taxin' headz relax and play tha' back when I
spill I regulate a flow like chicks on birth control pills-ill anitics
keep it movin' on bouncin' like nylon from illadel 2 Lebanon - (no
doubt)Lyrics provided by TANCODEhttp://lyricsever.com/" readonly=""/>

3 Tha Hard Way Lyrics

First verse
Salutes 2 action be tha latest enter-ree 4 illadel colonies da get da
cream like cherry jubalee - my steeze put cha at ease like
methamphetamines or like Tony Shakks "fan-na-cees" about his wallabess
slice fit-een yo meen Big East be comin' through ghetto magic plusa da
bullies back it what me now Buddah Blessed 4 I and I provide da
Greatest Natur-role pure as life that exit from Nah gent-ta-tillc
styles interna-sha-nile likde direct connects to internet verbal text
blossum like chia pets per-fect wit da mic devices Bahama-dee be tha'
nices bringin' nix rap thing 2 the light like osyrus - 4 tha' 9 pound
ex-ced-da-ra-saaloom 2 GangStarr and my nigga K-Sarrah
Second verse
Ha yo, I'm doing this for the cruuz claimin' that there better I'm
tickled, ya must be like Sanford on the ripple little by little, I
kick verses from the middle of my brain, the Riddler couldn't fuck wit
Kannon Riddles I remain the undisputed you should of known if you knew
it, Montell couldn't tell you how we do it and few get the chance to
even so the Kannon Dance wit da Kannon Band shit be slammin more than
Larry Nance and plus it's in me to give you more like Demi, I do easy
leave aardway to penny, as I display skillz for what it's worth sent
to this earth to stop the curse of wake lic's upon my turf, this is
the end like Armagedin your settin a bad example niggaz still using my
samples times ample ha yo swyft never said she was the baddest but I
kept it real, you niggaz frontin talkin bout you packin steel your
sportin a first all up in rectum by the central kid's sitting all up
in the bullie section
Third verse
Do you remember those you chase to forget back when ya ears was wet
and now ya preachin' ya releasin' mini-tec I need a mic check because
da static come sparatic emcee's be hooked like addicts while
casualties stay tragic there ain't no glamour in that story all guts
no glory entrenced in jealousy just like the suckers who abhor me they
tell but they don't know the core, so raw is now my reference like
Mumia there is no evidence to say that I'm more tha I am undbending
neve revending similar to million men me say "Just-us" you say me bust
bust mental stagnation like the cancer patients eatin' cow fuss as the
minds rust from dawn to dusk I rest in Mecca the words sound power as
in energy see Heka to die because ya black simply be no cause at all
surreality just like the lengends of the fall initial looks of the
shook hearted kids who shouldn't started lyrics leave like spirits and
and the waters Moses parted Do or Die's ya slogan but niggaz slip with
Trojans major mental corrosion like Murray's meat unfrozen I am the
chosen Earth Sun Moon and Stars hard for me to find a top contender
just to spar some peep the exterior and believe inferior next ya know
they callin for a sound bwoy burial D&D Studio B wicked catch wreck
for infinity one love peace to Bahamadia
Last verse
Like Salt & Pepa, I take it to the next platoe niggaz scream nay what
dis Brown Sugar like D'Angelo I make it better fo' fantanics fienin
for da Buttaz Boo like 25 to lifers do from lack of gettin' douce
u-oou, I put my little thing in action smoother, than sat-tin or
special Ed when he was taxin' headz relax and play tha' back when I
spill I regulate a flow like chicks on birth control pills-ill anitics
keep it movin' on bouncin' like nylon from illadel 2 Lebanon - (no
doubt)

Lyrics provided by LyricsEver.com
Philadelphia native Bahamadia has lived and breathed music for years. In fact, many influential musical scholars credit her as being one of the original MC's to gain Philly international acceptance in the "hip-hop" community in a major way. Initially a Dj, Bahamadia switched trades when MC's such as Sha-Rock (FUNKY 4+1 MORE), Lady B, and Salt & Pepa entered the rap game. Becoming one of the most sought after lyricists on the underground scene, Bahamadia earned the respect that allows her to declare in freestyle verse, "I'mma rap fanatic... phenomenal at it a syllable savage written or off the cabbage this chick is bananas." Her formidable rhyme skills, unceasingly honed since the earliest days of rap, and her progressive musical outlook, make her more than just an incredible MC. Bahamadia is an innovative talent acknowledged in various musical genres as a forerunner of tomorrow's music.

While Bahamadia has been consistently active in the recording industry since her introduction in 1996, she has (amazingly) only two solo album releases to her credit. First was the now "classic" EMI Records release "KOLLAGE", which she described as "various sound blends and textures of my interpretation of hip-hop music that encompasses topics of importance to me." "KOLLAGE", which was the first LP ever written/co-produced entirely by a female hip-hop artist, generated the 1996 SOUL TRAIN LADY OF SOUL award nomination for BEST NEW R&B/RAP ARTIST. Bahamadia 's second solo project, the critically acclaimed "BB QUEEN", was released in the year 2000 on the indie label Good Vibe Recordings. "BB QUEEN" was also the debut of multi-talented Virgin Recording artist Dwele.

In addition to being a respected songwriter/producer, Bahamadia serves as a positive role model for, and mentor of, many upcoming artists. She is a regular participant in educational lectures at universities, as well as in music conferences and seminars. She has been a contributing writer for Stress Magazine in New York City. Her historic weekly radio show at Philadelphia's 103.9FM, "BAHAMADIA'S B-SIDES"(circa 1997-1999), reigned as
one of the highest rated radio shows in Philadelphia. " BAHAMADIA'S B-SIDES" gave Philly radio listeners their first taste of then unknown artists like Eminem, Mos Def, and many of the Rawkus Records roster of artist during the late 1990's. In a nutshell, "B-SIDES" showcased underground talent worldwide and served as a template for taste-maker forums such as "Now Hear This" presented by fellow Philadelphians The Roots. In Bahamadia's words, "the show was designed to nurture grass-roots culture."

Bahamadia has collaborated with a wide variety of her musical contemporaries. Although many of these collaborations have resulted in groundbreaking creations(for example, the track entitled "NEW FORMS", produced by MERCURY AWARD winner Roni Size, was the first "Drum-n-Bass" track to feature a rap vocalist), they mostly came about in distinctly organic fashion. Simply put, "sonic gems" were created because of musicians' mutual respect for each other. These works include songs with Lauryn Hill, Morcheeba, Sweet Back (Sade & Maxwell's band), Towa Tei, The Roots, King Britt, Ramsey Lewis(Jazzmatazz, Vol.2), Talib Kweli, Erykah Badu, Mc Lyte, Zap Mama, and more. When asked why she chooses to work with such an eclectic range of artists, Bahamadia explains, "I do it in order to push the envelope and stop the music from being stagnant".

Not only in demand for concert performances throughout the United States, Bahamadia had been invited to participate in many overseas tours, embracing fans in Germany, Sweden, Switzerland, Holland, England, France, Poland, Austria, and Australia gaining a global cult following based on integrity & skill.

Now that she has helped set the stage for Philadelphia artist and other practitioners of her idea of "quality" hip-hop to get their just due, she is ready to do the same for herself. Family and community before herself?Bahamadia wouldn't have it any other way! Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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