Spontaneity - Bahamadia

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Spontaneity Lyrics

Straight outta the metro rhythm central I'm innovative at thee
cause I go slow moe but never slow poke but never joke dope but never
coke spits a riddle like flim loose with my lyrics like double jointed
limbs I twist and I bend common episodes past freak mode the monstrous
bass beneath my pace be like morse code slash beep slash beep scanners
zero in to the system in your jeep I'm out there with Kool Keith and
Ced-Gee and De La inventors of my third seeing eye with futuristic
vision I'm not among loony nut cakes on a mission I gets in where I
fit in cause life's too short so you could all label me weirdo but yo
I know it's talent ...

() Mad explosive spontaneity

At present I speak the new beginning when every other trend fell short
so who'll be the shareholder of my kinda thoughts besides the studious
cuz the gludious max-a-must lack ability to scoop all capabilities of
spontaneity within me depicted kicked it true vibes pops jazz but
collaborated with the cool known flows but unfamiliar grooves soothe
individual moods like soul food for thought ...


Rip here be dizz like everybody's on it cause eternal verbal expansion
keeps enhancing brain child's ability to like surpass a swarm of booty
ass no grass roots having ass mc's with luke warm degrees trying to
get hot like sun rays but save your jazz for Sun Ra you don't wanna
spar my skills fill up thee outer limits like mars and you's a little
star I jacked your twinkle when I excelled well like Tinkerbell up to
higher levels and heights cerebral flow takes flight on airborne time
I'm a prime candidate of specimen in your walkman as you're listening
I make things happen cause I'm the captain keepin' this great ...

() Mad explosive spontaneity (repeat)

Lyrics provided by LyricsEver.com
Philadelphia native Bahamadia has lived and breathed music for years. In fact, many influential musical scholars credit her as being one of the original MC's to gain Philly international acceptance in the "hip-hop" community in a major way. Initially a Dj, Bahamadia switched trades when MC's such as Sha-Rock (FUNKY 4+1 MORE), Lady B, and Salt & Pepa entered the rap game. Becoming one of the most sought after lyricists on the underground scene, Bahamadia earned the respect that allows her to declare in freestyle verse, "I'mma rap fanatic... phenomenal at it a syllable savage written or off the cabbage this chick is bananas." Her formidable rhyme skills, unceasingly honed since the earliest days of rap, and her progressive musical outlook, make her more than just an incredible MC. Bahamadia is an innovative talent acknowledged in various musical genres as a forerunner of tomorrow's music.

While Bahamadia has been consistently active in the recording industry since her introduction in 1996, she has (amazingly) only two solo album releases to her credit. First was the now "classic" EMI Records release "KOLLAGE", which she described as "various sound blends and textures of my interpretation of hip-hop music that encompasses topics of importance to me." "KOLLAGE", which was the first LP ever written/co-produced entirely by a female hip-hop artist, generated the 1996 SOUL TRAIN LADY OF SOUL award nomination for BEST NEW R&B/RAP ARTIST. Bahamadia 's second solo project, the critically acclaimed "BB QUEEN", was released in the year 2000 on the indie label Good Vibe Recordings. "BB QUEEN" was also the debut of multi-talented Virgin Recording artist Dwele.

In addition to being a respected songwriter/producer, Bahamadia serves as a positive role model for, and mentor of, many upcoming artists. She is a regular participant in educational lectures at universities, as well as in music conferences and seminars. She has been a contributing writer for Stress Magazine in New York City. Her historic weekly radio show at Philadelphia's 103.9FM, "BAHAMADIA'S B-SIDES"(circa 1997-1999), reigned as
one of the highest rated radio shows in Philadelphia. " BAHAMADIA'S B-SIDES" gave Philly radio listeners their first taste of then unknown artists like Eminem, Mos Def, and many of the Rawkus Records roster of artist during the late 1990's. In a nutshell, "B-SIDES" showcased underground talent worldwide and served as a template for taste-maker forums such as "Now Hear This" presented by fellow Philadelphians The Roots. In Bahamadia's words, "the show was designed to nurture grass-roots culture."

Bahamadia has collaborated with a wide variety of her musical contemporaries. Although many of these collaborations have resulted in groundbreaking creations(for example, the track entitled "NEW FORMS", produced by MERCURY AWARD winner Roni Size, was the first "Drum-n-Bass" track to feature a rap vocalist), they mostly came about in distinctly organic fashion. Simply put, "sonic gems" were created because of musicians' mutual respect for each other. These works include songs with Lauryn Hill, Morcheeba, Sweet Back (Sade & Maxwell's band), Towa Tei, The Roots, King Britt, Ramsey Lewis(Jazzmatazz, Vol.2), Talib Kweli, Erykah Badu, Mc Lyte, Zap Mama, and more. When asked why she chooses to work with such an eclectic range of artists, Bahamadia explains, "I do it in order to push the envelope and stop the music from being stagnant".

Not only in demand for concert performances throughout the United States, Bahamadia had been invited to participate in many overseas tours, embracing fans in Germany, Sweden, Switzerland, Holland, England, France, Poland, Austria, and Australia gaining a global cult following based on integrity & skill.

Now that she has helped set the stage for Philadelphia artist and other practitioners of her idea of "quality" hip-hop to get their just due, she is ready to do the same for herself. Family and community before herself?Bahamadia wouldn't have it any other way! Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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