Whoa Whoa Whoa - Watsky

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Whoa Whoa Whoa Lyrics

Whoa whoa whoa
What do you take us for?
Whoa whoa whoa
What do you take us for?

I'm a phenomenon, and I gotta bring pain in The Octagon
When I wanna spit game at a soccer mom
I get it quicker than the left lane in the Autobahn, fast
Like Ramadan, and I battle young padawans all the damn day
I'm getting naked and I'm hopping on a wrecking ball
So hot, I got the motherfucker a la flambé
I go to Miley's house, I see that Miley's home
I play Miley's ribcage with my dick, like it's a Xylie-phone
Yes, that was highly fucked up but my skills are highly honed
And if I was highly hyphy, I might be more widely-known
C'est la vie, better pay my fee
They kick it in Seattle in a Patagonia jacket
They get it in the Bay in a plain white tee
Hey mami! You a P.Y.T
You wanna see me speak, then I go
Every time I get a beat, I know I gotta beat it up
I bend it then I break it then I chop it then I eat it up
And PETA would never approve of the way
I've been treating the music, I bleed it, I bruise it
I kick it to the curb and then I'm sipping on my bourbon
I be freaking it, doing it, keeping it moving
I'm picking apart the muscle when I'm thinking about the hustle
But I'm nice, nice!

Whoa whoa whoa
What do you take us for?
Whoa whoa whoa
What do you take us for?

I jump the freeway median, I'm savage
Cause my mode is that I'm meaner than the average
Like my teacher taught me when I heard the crowd applaud
I thought I was an atheist until I realized I'm a God
It could hurt a bit when I murder shit
In a moment, I'll be tying off a tourniquet
When I burn them and I hit them in the sternum
I don't even got to enter, but I'm gonna win the tournament
That's what I'm all about
I do what I got to do and never gonna pout
And I hope that it would have been the end of it and I'm out
But they never tend to give me the benefit of the doubt
Ever since I was a little kid
I know that I've been looking for the hot, hot spotlight
And if you really wonder what I think about the competition
They were not-not-not tight
I've been reading my scripture
Every photo bomber wanna be in my picture
And you better bet I'm living every single day
Like it's the motherfucking Catalina Wine Mixer
Bada bing, bada boom!
When I walk in, I'm the king of the room
And I get it locked in like the king in a tomb
When I spit a toxin and they cough on the fumes
Cause I'm back in the nick of time and attacking the fickle mind
I'm a jackal, I'll rip his hide, I'ma tackle him, pick a fight
I be Dracula, set to bite in the black of the bitter night
And I'm out, poof

Whoa whoa whoa
What do you take us for?
Whoa whoa whoa
What do you take us for?

Lyrics provided by LyricsEver.com
George Watsky (born September 15, 1986) is a writer and performer who believes in the equal power of the tear and the belly laugh. Born and raised in San Francisco and now based in Los Angeles, he aims to cross-pollinate the stage, screen and stereo with work that speaks to both the humor and frustrations of modern life.

George was featured on Season 6 of Russell Simmons Presents Def Poetry on HBO. He was the 2006 Youth Speaks Grand Slam Poetry Champion, 2006 Brave New Voices International Poetry Slam Champion, and performed in a record six consecutive Youth Speaks Grand Slam Finals. The last three of those audiences, all topping out at over 3,000, were the largest ever for poetry slams anywhere in the world. In 2009 Watsky was one of three poets who performed live on FOX at the NAACP Image Awards in honor of Russell Simmons’ lifetime achievement award.

George has made strides to bring his poetic sensibilities to the theater world. His one-man show So Many Levels has been presented in Boston, San Francisco, Vermont, and at the Hip Hop Theater Festival Critical Breaks series in New York City. He has also been featured at the San Francisco and Washington, DC arms of the Hip Hop Theater Festival. He played the title character and co-wrote a 2004 adaptation of Dante’s Divine Comedy for the Living Word Festival and his stage play Harold’s Fall or King Will is the recipient of the 2009 Rod Parker Playwriting Fellowship.

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