Fast Cars - Aesop Rock

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Fast Cars Lyrics

Checkmate sucka, not a move, game's over!

Who's that walking with a hole in his head?
Big bad Bazooka Tooth, I came to break bread
What's a troop's recipe for treacherous times?
I tell 'em..ah, fuck it, yo!

I pull the elephant tranq out of my neck
Gaffle a tank, count up the chips, wrastle the fangs off of my fist
Flood a little soldier blood over the ogre acres
On some holiday in Cambodia with motor home appraisers
Pagans fade into the Kodachrome now, later
With a lid to brow staple
Revist the cobra loading zone
Molar foaming but he hold his own. Wound
Cauterized by the zippo he had stole that afternoon
And my dog tags jingle by the monster island heart he built
Grew up with a jughead crown tilt and tardy slip
Be all you can be just never soothed us (Nope!)
You lost me in that part about scrubbing piss with a toothbrush
Holler scum's lullaby
Live from the ultra-fly sham city bunker where the coldest cults multiply alarmingly
Hush little baby, timeout!
The black market mockingbirds can not sing a lick but learn to peck your eyes out
Of commission with love, out a tradition of wraiths pick on the visions that buzz
Bet on the kitten's escape, solder the piston to pump out a veteran amplifier
And magnify through the same lens that set the ants on fire
Flush the moppet hootenanny
Who could fancy honor circuit when the circle's every duke is clammy?
Trooper, scoop the food in pantry
Ante up, stupid!
May delusion feed 'em foofi candy and pry the gold out of his tooth when lamping
Pocket all you can now
Block will lead the lambs down to the cold cutlery outfit
Slaughter beef and cow tip
Pour the chief some fountain soda
Motor prone to pen the holy opus and pry this monkey off the scoliosis like:

Who's that walking with a hole in his head?
Bazooka Tooth, gemini, I came to break bread
What's a troop's recipe for treacherous times?
I tell 'em fast cars, danger, fire and knives, let's go
Fast cars, danger, fire and knives
Fast cars, danger, fire and knives
Fast cars, danger, fire and knives
I got her majesty Athena riding shotty wide-eyed

It's like never mind the bullocks
Like every other week these hipster tabloids jumping on and off my sex pistol's bullets
Like every other week he spins the bottle
Like every other week these fucking fanzines forget if they spit or swallow
Too bad your inner sheep never forgets to follow
Cause my inner greed to feed your hate for loving us is hostile
Fortunate for me it coincides with what comes natural
So the mongrels that I run with turn the 'fuck you's into fast food
Like a little freak sick of the 3 o'clock bully knuckle dust
Nursing his last shiner, finds the shoebox in his mother's truck (Uh-oh!)
Tomorrow's extra curricular punching bag
Will finger daddy's widow maker out a brown lunch bag (Bang!)
This is where the hunch back snake oil peddlers
Stuck under the burgundy sky of spaghetti westerns tend to bubble up
Weathermen huddle up
Today, the son of one too many 'yes sir's kings his checkers, watch the double jump
Back with a platter of hot leeches that'll drink up-every bloody drop down
To the last diseases, it's A-E-S-O-P-R-O-C-K, the peak twister
Defender of the son of Vaughn Bode's Cheech Wizard
I used to pray the treatments got easier with my aging
Like serotonin weekends was merely comedic hazing
Wrong, but along his travels located the key to world peace: kill every motherfucker but me
You cool with that? Cool, bang
You? Cool, hang
You? No? Uh..bang? Cool
Sorry, dog, rules are rules
And too long have I followed yours
I'm trying to get them years back, and walk through every cipher with dynamite in a beer hat

Who's that walking with a hole in his head?
Bazooka Tooth Krueger, I came to break bread
What's a troop's recipe for treacherous times?
I tell 'em fast cars, danger, fire and knives, let's go
Fast cars, danger, fire and knives
Fast cars, danger, fire and knives
Fast cars, danger, fire and knives
I got her majesty Athena riding shotty wide-eyed

Lyrics provided by LyricsEver.com
Aesop Rock (born Ian Bavitz on June 5, 1976) is an alternative hip hop artist/producer from Northport, New York, United States. He has released seven albums: "Music for Earthworms" (1997), "Float" (1999), "Labor Days" (2001), "Bazooka Tooth" (2003), "None Shall Pass" (2007), "Skelethon" (2012) and "The Impossible Kid" (2016). He is also a member of the groups Hail Mary Mallon, The Weathermen, Two of Every Animal and The Uncluded.

Bavitz was born in Syosset, New York and grew up in Northport, New York. While attending college, Bavitz initially recorded and released two self-financed efforts, Music for Earthworms (1997), a full-length featuring underground artist Percee P on two tracks. Bavitz also released a music video to "Abandon All Hope", which was one of the tracks on the CD. The album sold over 300 copies, largely from a grassroots internet-based promotion at his website AesopRock.com and then-popular web portal, MP3.Com. It was a success. With the money he made from his previous release, he then released his Appleseed EP in 1999 which received critical acclaim in the underground hip hop circuit.[citation needed] Both of his early records were produced by long-time friend Blockhead, and underground producer Dub-L. He completed these albums while also working as a waiter.

After his breakthrough success in the underground hip hop and indie rap community, he was eventually noticed by the Mush label and obtained his first record deal in 1999, just a year after he graduated from college. Aesop released his first major album, Float (2000), with guest appearances from Vast Aire, Slug, and Dose One. Production was split between Blockhead and Aesop himself, with one track by Omega One. During this time, Aesop worked at a photography gallery. In August 2001 tragedy struck when Bavitz had a nervous breakdown. The song "One of Four" on his Daylight EP documents his struggles.

Shortly after releasing Float, Aesop Rock signed to Manhattan-based label Definitive Jux (commonly shortened to Def Jux), where he released Labor Days (2001), an album dedicated to the discussion of labor in American society and the concept of "wage slaves". This album was most well known for its single "Daylight". Because of its popularity, Daylight was re-released in 2002 as a seven-track EP, including an "alternative" new version of the song "Night Light", whose paraphrased lyrics simultaneously refer back to, and stand in stark opposition to, the original's. The song "Labor" (from Labor Days) was featured in Tony Hawk's Pro Skater 4; it also was the first album in his catalog to break through the Billboard charts, peaking at number 15 at the United States Independent Charts, giving Aesop Rock more recognition.

Labor Days was followed by Bazooka Tooth in 2003. For the first time, production was mostly handled by Rock himself, with three tracks from longtime collaborator Blockhead and one from close friend and Definitive Jux label CEO El-P. Guest appearances include Party Fun Action Committee, El-P, and Mr. Lif (all Definitive Jux labelmates) and Camp Lo. With this release Aesop hit a higher level of recognition, releasing "No Jumper Cables" as a single and music video, then another single, "Freeze", shortly after. A remix of "No Jumper Cables" was featured on Tony Hawk's Underground 2, furthering Aesop's recognition. In 2004, He released Build Your Own Bazooka Tooth and created a contest in which you had to create a remix of an Aesop Rock song using the a cappellas and instrumentals.

In February 2005, Aesop Rock released a new EP, Fast Cars, Danger, Fire and Knives. The first pressing of the EP included an 88-page booklet with lyrics from every release from Float until this EP (the lyric booklet is titled The Living Human Curiosity Sideshow); later pressings of the album come without the booklet, but with an additional bonus track, "Facemelter". In addition, a limited number of albums were available direct from Def Jux with Aesop Rock's graffiti tag on them. In response to demands from his fans, Rock did less production on the EP: three songs are produced by Blockhead, three produced by Aesop, and one by Rob Sonic. During this time he was asked to join The Weathermen to replace Vast Aire.

Aesop Rock was commissioned to create a 45-minute instrumental track for the Nike+iPod running system, entitled All Day. It was released in February 2007. Distributed via the iTunes Music Store and featuring his wife Allyson Baker on guitar and scratches from DJ Big Wiz, Aesop has described the release as "something that evolved enough that the sound was constantly fresh and attractive, as though the runner were moving through a set of differing cities or landscapes."

All Day was followed in August of the same year by Bavitz's fifth full-length album, None Shall Pass released in 2007. The album also contained original artwork by Jeremy Fish. About Jeremy Fish, Aesop Rock said: "Man that guy is my hero. We have a friend in common who hit me up a while back saying that this guy Jeremy Fish had an opportunity to pitch a cartoon to Disney and wanted me to be involved in the music side. I flipped out cuz I was also a fan of his, and owned some of his work." Aesop Rock also teamed up with Jeremy Fish again in a project called Ghosts of the Barbary Coast. Aesop Rock made a song called "Tomorrow Morning", to go along with a slideshow of drawings that Jeremy Fish drew. This was displayed in San Francisco, but was also made available for download online. None Shall Pass had positive reviews from critics and fans, applauding Aesop for his change in sound.

In 2011, Rhymesayers released "Are You Going to Eat That?", the debut album from Hail Mary Mallon, a collaboration between Aesop Rock, Rob Sonic, and DJ Big Wiz.

On July 10, 2012, Rhymesayers released Aesop Rock's sixth studio album, "Skelethon". Its first single, "Zero Dark Thirty", was released four months earlier on April 10. A second single, "ZZZ Top", was released on June 29.

In 2011, Aesop Rock and Kimya Dawson of The Moldy Peaches formed the duo The Uncluded. The duo's debut album, "Hokey Fright" was released on May 7, 2013. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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