Garbage - Aesop Rock

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Garbage Lyrics

The ritual goes, same window different visual.

Wing of wax, or wing of gold leaf
Choose one. Float or plummet 20 thousand cold legues
My nourishment's provided in the summer
So that I wonder
How y'all chasin' dreams when what's tangible still outruns ya
Hail dirty doll immaculate performance
Warm as the march of a billion torches forward to burn what I born at
Cut and paste alertness to current set is provided quick
Shimmy the pirate ship mast, bat the eyelids at the siren in her bow (?)
Facing, let's salute the embrace pertinent generals who turned innocent hermits to burning spectacles.
Flirtin' with a serpent workin' overtime
Drain the battery, siphon the poison and flood his majesty's hatchery.
I was riding on the yellow bus to where the brush thickens.
Yeah, an it ain't exactly plush pickin's
I'd rather take the time to burn every last bridge I've ever crossed beneath the sun
Than live my life knowin' you may one day follow me over one.
Snake bite
Breath too heavy to hold.
Caught up in the wake of the red witch tryin' to swim it.
Ran for the sake of dead click stripped of idealic image
Steal a sloppy earth meal feed my pottery wheel to model collossal vision
Thrill, shrunken with a bucket of pennies
I'ma drag my sneakers through the dirt like alligator bellies
'Til the cloud burst
Honour and a loud thirst submersed in a trap
Little drummer boy verse' thunderclap

In a city of garbage, tryin' to reap the harvest
Adaption is the trap in which the artist meets the forest
Swing your little axe or be an oak tree if you can
Either way, adapt to circumstance or play you final hand.

No enigma, an attempt to bury the hatchet
Rendered me victim of deviltry plus wounded like stigmatics
Somethin's somethin hazardous
I smell an inch of differnce in this mornin's pollution pistons and how the loose ends drift in
My sour pash (?) institutions slipped in admidst the invaders and,
Pardon my tone but,
This garden's grown fucken' acres since my visit.
Itchin' to count the layers in the blizzard to that chapter where my family inserts the dagger and twists it.
It's the carnival, have you any sweets for my weary kin
It's the carnival, have you any feed for my cheery grin
It's the carnival, welcome, play our games you'll never win
Coz it's that carnival where every freak show spectacle's your friend.
An' I'm a,
Ghostly galleon, tossed upon cloudy seas
Antifreeze to glacier cookin' a look of fiery nature
It's the,
Ceilin' feelin' too heavy to bless the I-beams for a fraction more collapse (I left sorry) that to your door.
Bitchin' my back to hell's kitchen, back
Burnin' murder machinery, released regardless of the pardons
Hitchin my life to the leash of one minstrel
Sick of same window different visual
Same agnostic hostage different ritual
Play, coopertive supercolony clash (I heard we have a dust collection - let me see it)
Ooh, I duel this underdog verse forced adaption to the marbles of the now
Since then my knuckles haven't once dragged on the ground.

In a city of garbage, tryin' to reap the harvest
Adaption is the trap in which the artist meets the forest
Swing your little axe or be an oak tree if you can
Either way, adapt to circumstance or play you final hand.

The ritual goes, same window different visual.
The ritual is same fucken' window different visual.

Lyrics provided by LyricsEver.com
Aesop Rock (born Ian Bavitz on June 5, 1976) is an alternative hip hop artist/producer from Northport, New York, United States. He has released seven albums: "Music for Earthworms" (1997), "Float" (1999), "Labor Days" (2001), "Bazooka Tooth" (2003), "None Shall Pass" (2007), "Skelethon" (2012) and "The Impossible Kid" (2016). He is also a member of the groups Hail Mary Mallon, The Weathermen, Two of Every Animal and The Uncluded.

Bavitz was born in Syosset, New York and grew up in Northport, New York. While attending college, Bavitz initially recorded and released two self-financed efforts, Music for Earthworms (1997), a full-length featuring underground artist Percee P on two tracks. Bavitz also released a music video to "Abandon All Hope", which was one of the tracks on the CD. The album sold over 300 copies, largely from a grassroots internet-based promotion at his website AesopRock.com and then-popular web portal, MP3.Com. It was a success. With the money he made from his previous release, he then released his Appleseed EP in 1999 which received critical acclaim in the underground hip hop circuit.[citation needed] Both of his early records were produced by long-time friend Blockhead, and underground producer Dub-L. He completed these albums while also working as a waiter.

After his breakthrough success in the underground hip hop and indie rap community, he was eventually noticed by the Mush label and obtained his first record deal in 1999, just a year after he graduated from college. Aesop released his first major album, Float (2000), with guest appearances from Vast Aire, Slug, and Dose One. Production was split between Blockhead and Aesop himself, with one track by Omega One. During this time, Aesop worked at a photography gallery. In August 2001 tragedy struck when Bavitz had a nervous breakdown. The song "One of Four" on his Daylight EP documents his struggles.

Shortly after releasing Float, Aesop Rock signed to Manhattan-based label Definitive Jux (commonly shortened to Def Jux), where he released Labor Days (2001), an album dedicated to the discussion of labor in American society and the concept of "wage slaves". This album was most well known for its single "Daylight". Because of its popularity, Daylight was re-released in 2002 as a seven-track EP, including an "alternative" new version of the song "Night Light", whose paraphrased lyrics simultaneously refer back to, and stand in stark opposition to, the original's. The song "Labor" (from Labor Days) was featured in Tony Hawk's Pro Skater 4; it also was the first album in his catalog to break through the Billboard charts, peaking at number 15 at the United States Independent Charts, giving Aesop Rock more recognition.

Labor Days was followed by Bazooka Tooth in 2003. For the first time, production was mostly handled by Rock himself, with three tracks from longtime collaborator Blockhead and one from close friend and Definitive Jux label CEO El-P. Guest appearances include Party Fun Action Committee, El-P, and Mr. Lif (all Definitive Jux labelmates) and Camp Lo. With this release Aesop hit a higher level of recognition, releasing "No Jumper Cables" as a single and music video, then another single, "Freeze", shortly after. A remix of "No Jumper Cables" was featured on Tony Hawk's Underground 2, furthering Aesop's recognition. In 2004, He released Build Your Own Bazooka Tooth and created a contest in which you had to create a remix of an Aesop Rock song using the a cappellas and instrumentals.

In February 2005, Aesop Rock released a new EP, Fast Cars, Danger, Fire and Knives. The first pressing of the EP included an 88-page booklet with lyrics from every release from Float until this EP (the lyric booklet is titled The Living Human Curiosity Sideshow); later pressings of the album come without the booklet, but with an additional bonus track, "Facemelter". In addition, a limited number of albums were available direct from Def Jux with Aesop Rock's graffiti tag on them. In response to demands from his fans, Rock did less production on the EP: three songs are produced by Blockhead, three produced by Aesop, and one by Rob Sonic. During this time he was asked to join The Weathermen to replace Vast Aire.

Aesop Rock was commissioned to create a 45-minute instrumental track for the Nike+iPod running system, entitled All Day. It was released in February 2007. Distributed via the iTunes Music Store and featuring his wife Allyson Baker on guitar and scratches from DJ Big Wiz, Aesop has described the release as "something that evolved enough that the sound was constantly fresh and attractive, as though the runner were moving through a set of differing cities or landscapes."

All Day was followed in August of the same year by Bavitz's fifth full-length album, None Shall Pass released in 2007. The album also contained original artwork by Jeremy Fish. About Jeremy Fish, Aesop Rock said: "Man that guy is my hero. We have a friend in common who hit me up a while back saying that this guy Jeremy Fish had an opportunity to pitch a cartoon to Disney and wanted me to be involved in the music side. I flipped out cuz I was also a fan of his, and owned some of his work." Aesop Rock also teamed up with Jeremy Fish again in a project called Ghosts of the Barbary Coast. Aesop Rock made a song called "Tomorrow Morning", to go along with a slideshow of drawings that Jeremy Fish drew. This was displayed in San Francisco, but was also made available for download online. None Shall Pass had positive reviews from critics and fans, applauding Aesop for his change in sound.

In 2011, Rhymesayers released "Are You Going to Eat That?", the debut album from Hail Mary Mallon, a collaboration between Aesop Rock, Rob Sonic, and DJ Big Wiz.

On July 10, 2012, Rhymesayers released Aesop Rock's sixth studio album, "Skelethon". Its first single, "Zero Dark Thirty", was released four months earlier on April 10. A second single, "ZZZ Top", was released on June 29.

In 2011, Aesop Rock and Kimya Dawson of The Moldy Peaches formed the duo The Uncluded. The duo's debut album, "Hokey Fright" was released on May 7, 2013. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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