Gopher Guts - Aesop Rock

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Embed: She said "I'll keep you in my prayers, " I said "I need to hide a body, " she said "ok honey, talk to you on Friday."
Apparently we share a common plasma so the growing disconnection doesn't matter. according to the blood-and-water chapter. weird
Who wrote the blood-and-water chapter anyway? probably some surly dad; only child, 30 cats.
Looking for a way to reconnect with an averted past.
Except it doesn't always work like that
Today I pulled three baby snakes out of moss and dirt; where the wild strawberry vines toss and turn;
I told them "you will grow to be something inventive and electric; you are healthy, you are special, you are present." then I let them go

Oh

You were sitting at the gate awaiting spirits and provisions
I was privy to a headache over pirouetting innards
In the mirror sweating pictures; who's there: simian or lizard?
As it were there is a disappearing difference
In ambition and material;
Antiquated gentleman outlaws reduced to a ferris wheel of vitriol
Move as a godless heathen; black gums, tooth gone, bootleg 'Yukon Cornelius'
I'm a... that's better, here we here we go. disenchanted face printed on a zero-dollar bill
Got a little plot of land where authority isn't recognized, contraband keeping the core of his Hyde Jekyll-ized
Check! nevermind a misanthrope vying for affection to the wretched sound of mysticism dying
It is something he must handle on his own; the wind blown way, wanna win? don't play
Today I pulled three green frogs out of leaf and bark where the grape vines climb a convenient barn;
I told them "you will grow to be something tenacious and exalted; you are mighty, you are gracious, you are lauded." then I let them go

Oh

I have been completely unable to maintain any semblance of relationship on any level
I have been a bastard to the people who have actively attempted to deliver me from peril
I have been acutely undeserving of the ear that listen up and lip that kissed me on the temple
I have been accustomed to a stubborn disposition that admits it wish it's history disassembled
I have been a hypocrite in sermonizing tolerance while skimming for a ministry to pretzel
I have been unfairly resentful of those I wish that acted different when the bidding was essential
I have been a terrible communicator prone to isolation over sympathy for devils
I have been my own worst enemy since the very genesis of rebels
Today I pulled three ghost crabs out of rock and sand, where the low tide showcased a promised land.
I told them "you will grow to be something dynamic and impressive; you are patient you are gallant you are festive."
Then I let them go

Oh

(On and on and on and on...)Lyrics provided by TANCODEhttp://lyricsever.com/" readonly=""/>

Gopher Guts Lyrics

Greasy Grimy Gopher Guts; Poolside; 0 for 1 and don't forget spoons twice
Lukewarm folgers; mold on his moonpie
Rooms in his home that dissipate into fruit flies
Suicide lane wide load ride looting in the wake of an amicable marooning
My duty go from moving in packs to sharing food with a cat. [To Moms:] "it's me, I accidentally sawed a woman in half."
She said "I'll keep you in my prayers, " I said "I need to hide a body, " she said "ok honey, talk to you on Friday."
Apparently we share a common plasma so the growing disconnection doesn't matter. according to the blood-and-water chapter. weird
Who wrote the blood-and-water chapter anyway? probably some surly dad; only child, 30 cats.
Looking for a way to reconnect with an averted past.
Except it doesn't always work like that
Today I pulled three baby snakes out of moss and dirt; where the wild strawberry vines toss and turn;
I told them "you will grow to be something inventive and electric; you are healthy, you are special, you are present." then I let them go

Oh

You were sitting at the gate awaiting spirits and provisions
I was privy to a headache over pirouetting innards
In the mirror sweating pictures; who's there: simian or lizard?
As it were there is a disappearing difference
In ambition and material;
Antiquated gentleman outlaws reduced to a ferris wheel of vitriol
Move as a godless heathen; black gums, tooth gone, bootleg 'Yukon Cornelius'
I'm a... that's better, here we here we go. disenchanted face printed on a zero-dollar bill
Got a little plot of land where authority isn't recognized, contraband keeping the core of his Hyde Jekyll-ized
Check! nevermind a misanthrope vying for affection to the wretched sound of mysticism dying
It is something he must handle on his own; the wind blown way, wanna win? don't play
Today I pulled three green frogs out of leaf and bark where the grape vines climb a convenient barn;
I told them "you will grow to be something tenacious and exalted; you are mighty, you are gracious, you are lauded." then I let them go

Oh

I have been completely unable to maintain any semblance of relationship on any level
I have been a bastard to the people who have actively attempted to deliver me from peril
I have been acutely undeserving of the ear that listen up and lip that kissed me on the temple
I have been accustomed to a stubborn disposition that admits it wish it's history disassembled
I have been a hypocrite in sermonizing tolerance while skimming for a ministry to pretzel
I have been unfairly resentful of those I wish that acted different when the bidding was essential
I have been a terrible communicator prone to isolation over sympathy for devils
I have been my own worst enemy since the very genesis of rebels
Today I pulled three ghost crabs out of rock and sand, where the low tide showcased a promised land.
I told them "you will grow to be something dynamic and impressive; you are patient you are gallant you are festive."
Then I let them go

Oh

(On and on and on and on...)

Lyrics provided by LyricsEver.com
Aesop Rock (born Ian Bavitz on June 5, 1976) is an alternative hip hop artist/producer from Northport, New York, United States. He has released seven albums: "Music for Earthworms" (1997), "Float" (1999), "Labor Days" (2001), "Bazooka Tooth" (2003), "None Shall Pass" (2007), "Skelethon" (2012) and "The Impossible Kid" (2016). He is also a member of the groups Hail Mary Mallon, The Weathermen, Two of Every Animal and The Uncluded.

Bavitz was born in Syosset, New York and grew up in Northport, New York. While attending college, Bavitz initially recorded and released two self-financed efforts, Music for Earthworms (1997), a full-length featuring underground artist Percee P on two tracks. Bavitz also released a music video to "Abandon All Hope", which was one of the tracks on the CD. The album sold over 300 copies, largely from a grassroots internet-based promotion at his website AesopRock.com and then-popular web portal, MP3.Com. It was a success. With the money he made from his previous release, he then released his Appleseed EP in 1999 which received critical acclaim in the underground hip hop circuit.[citation needed] Both of his early records were produced by long-time friend Blockhead, and underground producer Dub-L. He completed these albums while also working as a waiter.

After his breakthrough success in the underground hip hop and indie rap community, he was eventually noticed by the Mush label and obtained his first record deal in 1999, just a year after he graduated from college. Aesop released his first major album, Float (2000), with guest appearances from Vast Aire, Slug, and Dose One. Production was split between Blockhead and Aesop himself, with one track by Omega One. During this time, Aesop worked at a photography gallery. In August 2001 tragedy struck when Bavitz had a nervous breakdown. The song "One of Four" on his Daylight EP documents his struggles.

Shortly after releasing Float, Aesop Rock signed to Manhattan-based label Definitive Jux (commonly shortened to Def Jux), where he released Labor Days (2001), an album dedicated to the discussion of labor in American society and the concept of "wage slaves". This album was most well known for its single "Daylight". Because of its popularity, Daylight was re-released in 2002 as a seven-track EP, including an "alternative" new version of the song "Night Light", whose paraphrased lyrics simultaneously refer back to, and stand in stark opposition to, the original's. The song "Labor" (from Labor Days) was featured in Tony Hawk's Pro Skater 4; it also was the first album in his catalog to break through the Billboard charts, peaking at number 15 at the United States Independent Charts, giving Aesop Rock more recognition.

Labor Days was followed by Bazooka Tooth in 2003. For the first time, production was mostly handled by Rock himself, with three tracks from longtime collaborator Blockhead and one from close friend and Definitive Jux label CEO El-P. Guest appearances include Party Fun Action Committee, El-P, and Mr. Lif (all Definitive Jux labelmates) and Camp Lo. With this release Aesop hit a higher level of recognition, releasing "No Jumper Cables" as a single and music video, then another single, "Freeze", shortly after. A remix of "No Jumper Cables" was featured on Tony Hawk's Underground 2, furthering Aesop's recognition. In 2004, He released Build Your Own Bazooka Tooth and created a contest in which you had to create a remix of an Aesop Rock song using the a cappellas and instrumentals.

In February 2005, Aesop Rock released a new EP, Fast Cars, Danger, Fire and Knives. The first pressing of the EP included an 88-page booklet with lyrics from every release from Float until this EP (the lyric booklet is titled The Living Human Curiosity Sideshow); later pressings of the album come without the booklet, but with an additional bonus track, "Facemelter". In addition, a limited number of albums were available direct from Def Jux with Aesop Rock's graffiti tag on them. In response to demands from his fans, Rock did less production on the EP: three songs are produced by Blockhead, three produced by Aesop, and one by Rob Sonic. During this time he was asked to join The Weathermen to replace Vast Aire.

Aesop Rock was commissioned to create a 45-minute instrumental track for the Nike+iPod running system, entitled All Day. It was released in February 2007. Distributed via the iTunes Music Store and featuring his wife Allyson Baker on guitar and scratches from DJ Big Wiz, Aesop has described the release as "something that evolved enough that the sound was constantly fresh and attractive, as though the runner were moving through a set of differing cities or landscapes."

All Day was followed in August of the same year by Bavitz's fifth full-length album, None Shall Pass released in 2007. The album also contained original artwork by Jeremy Fish. About Jeremy Fish, Aesop Rock said: "Man that guy is my hero. We have a friend in common who hit me up a while back saying that this guy Jeremy Fish had an opportunity to pitch a cartoon to Disney and wanted me to be involved in the music side. I flipped out cuz I was also a fan of his, and owned some of his work." Aesop Rock also teamed up with Jeremy Fish again in a project called Ghosts of the Barbary Coast. Aesop Rock made a song called "Tomorrow Morning", to go along with a slideshow of drawings that Jeremy Fish drew. This was displayed in San Francisco, but was also made available for download online. None Shall Pass had positive reviews from critics and fans, applauding Aesop for his change in sound.

In 2011, Rhymesayers released "Are You Going to Eat That?", the debut album from Hail Mary Mallon, a collaboration between Aesop Rock, Rob Sonic, and DJ Big Wiz.

On July 10, 2012, Rhymesayers released Aesop Rock's sixth studio album, "Skelethon". Its first single, "Zero Dark Thirty", was released four months earlier on April 10. A second single, "ZZZ Top", was released on June 29.

In 2011, Aesop Rock and Kimya Dawson of The Moldy Peaches formed the duo The Uncluded. The duo's debut album, "Hokey Fright" was released on May 7, 2013. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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